Tuesday afternoon, I streamed a truly astute music documentary about Leonard Cohen and his song, “Hallulujah.”
How long it took him to craft it. Years and years.
How the tune mixes the profane with the sacred, spiritual with sexual.
How it was on an album that the president of Columbia Records hated so much, it was not released in the U.S. for a long while.
How the song eventually evolved into one of the most popular in the world.
That context informs this perspective on U of L’s performance in last night’s one point ACC L to the Orange.