In the quietly stirring drama “Marjorie Prime,” writer-director Michael Almereyda and a quartet of sensitive actors explore the idea of memory — and how much of who we are is based on what we remember about ourselves and what others remember about us.
Set in the near future, the story begins with Marjorie (Lois Smith), an 86-year-old woman in faltering health and diminished memory. She sits in her nicely appointed house on the ocean, talking to a handsome man (Jon Hamm). The man is the very image of Marjorie’s late husband, Walter, in his younger days.